Despite currently being formulaic and forgettable, The Hitman’s Bodyguard did respectable business in 2017, so the arrival of a sequel does not totally defy logic. There is also some perception in offering the would-be franchise further lustre by chucking in Morgan Freeman and Antonio Banderas with returning forged customers Ryan Reynolds, Samuel L. Jackson and Salma Hayek. Sadly, nearly anything else about this botched motion-comedy romp is past perception.

It commences with sensible-cracking bodyguard Michael Bryce (Reynolds) stripped of his licence, in remedy and agreeing to choose a sabbatical. Situations from the to start with film are to blame, but the sequel sensibly decides we never require a whole recap. In any case, about 30 seconds into his Italian seashore holiday, Bryce is set upon by conwoman Sonia Kincaid (Hayek) and robust-armed into aiding her rescue Darius Kincaid (Jackson), her hitman husband, from the mob. Once hitman, wife and bodyguard are reunited, they’re enlisted by Interpol agent Bobby O’Neill (Frank Grillo) to prevent megalomaniac Greek billionaire Aristotle Papadopolous (Banderas) from destroying the EU. It is fully ludicrous, but just try not to sense a pang when you place that Papadopolous’ map of destruction nevertheless incorporates the Uk.

The hitman, and the bodyguard. Credit rating: Lionsgate

In all honesty, there is no position investing in a succession of cobbled-collectively and nonsensical plot developments that lead to a climax on – where by else? – a luxurious yacht. At a person point, the film nicks the amnesia premise from typical Kurt Russell-Goldie Hawn romcom Overboard, then can make entertaining of by itself for undertaking so. Along the way, Richard E. Grant and Gary Oldman briefly and pointlessly reprise their roles from the initial movie, although Freeman presents his new character much more dignity than he warrants. As Bryce’s imposing stepfather, a fellow bodyguard, he practically convinces you that octogenarians can have skin in the near individual protection recreation far too. Nevertheless Banderas does not trouble attempting a Greek accent, he does dedicate thoroughly to glowering in dimly lit rooms. Simply because that is how megalomaniac billionaires commit their time, suitable?

Director Patrick Hughes, who also steered the to start with movie, tends to make the most of glamorous European areas that are not fairly enough to disguise the funds CGI. For an motion-comedy movie, the action sequences are really shonky. Then once more, comedy is not accurately a powerful fit either, primarily since the screenplay appears to provide at minimum 10 laboured F-bombs for every flash of authentic wit. When Bryce quips that Banderas’s dandyish baddie is dressed “like Liberace fucked a pair of curtains”, it is 1 of the several bullseye zingers.

Luckily, The Hitman’s Wife’s Bodyguard has a couple of preserving graces. Reynolds, Jackson and Hayek bounce off each and every other effectively adequate, in particular when you have tuned into Hayek’s increasingly manic frequency. In the meantime, Hughes keeps the wobbly plot going together at these kinds of a brisk tempo that the full matter is wrapped up in 90-ish minutes. For this reason, if you’re genuinely keen to get again to the cinema, it may possibly just make a satisfactory popcorn flick.


  • Director: Patrick Hughes
  • Starring: Ryan Reynolds, Salma Hayek, Samuel L. Jackson
  • Launch day: June 18 (Uk cinemas)